Tuesday, February 28, 2012

Procession


Back in November, a few weeks after returning from Illuxcon (a convention focused on traditional sci-fi and fantasy art which I have dubbed "the happiest place on earth") I got an email from the Pat & Jeannie Wilshire, the fine folks who run Illuxcon, asking me if I wanted to paint one of the three official Illuxcon commissions.

It's pretty common advice to tell aspiring illustrators, that once they get that all important first gig, to knock it out of the park. I don't think one should stop there, in my mind there are going to numerous jobs throughout your career that are just as important, if not more so, and when they come along you must be ready to give it everything you got. To me this was one of them.

Although it has by far the smallest attendance and is the most laid back once I actually get there Illuxcon is by far the most important show for me. I am already starting to plan for Illuxcon 2012 and I still have 6 other conventions to go to before November. Illuxcon and the Illustration Exchange (also run by Pat & Jeannie) have been a huge part of shaping my career in a way that I didn't anticipate 5 years ago. I knew I would be able to sell a few originals here and there but I didn't think sales would end up accounting for more than 60% of my income. And if it weren't for these institutions they have created, they simply wouldn't. I just wouldn't have gotten the exposure to sell so many painting so early in my career. This, in turn, has given me the freedom to turn down certain jobs in favor of pursuing my own artistic goals, knowing I could probably move the originals. Works like "Love Never Dies" and "Inheritance" would probably never have been painted otherwise, and many other commissioned paintings would not have been painted so large and detailed.

So when I was asked to do an official commission for the show (alongside Jim Burns and Larry Elmore, I might add) It was a "go big or go home" moment for me. And this is what came of it:


I'll do a "behind the scenes" post fairly soon here, since there was obviously a lot that went into creating this. But I have blabbered enough for now.

Tuesday, January 31, 2012

2012 Appearances

It's gonna be another busy year of traveling for me. I will be exhibiting my work and at the following in 2012:

Wondercon - March 16-18, Anaheim, CA

Emerald City Comicon - March 30 - April 1, Seattle, WA

Free Comic Book Day @ Player's Dugout - May 5th Riverside, CA

Spectrum Fantastic Art Live! May 18-20 Kansas City, MI

Phoenix Comicon May 24-27

San Diego Comic-Con July 12-15

DragonCon Aug 31 - Sep 3 Atlanta, GA

Illuxcon Nov 8-11 Altoona, PA

Monday, January 9, 2012

Nearheath Stalker


Another new Magic piece from the Dark Ascension set just got previewed. It is always fun to try and creep out your audience.

16" by 22" oil on paper on board.

Monday, January 2, 2012

Curse of Bloodletting

Some of the new art for the Dark Ascension expansion was previewed by WOTC today, so I get to show this one off a little early. (or a little late, since it was originally commissioned for Innistrad and got bumped back)



I don't know the name of the card yet since the article just showed the art, I will update this post once I do.

13" by 18" oil on paper on board

Saturday, December 24, 2011

Merry Christmas!

Here is a present for you:


Did this one for a friends annual Christmas card. 12 x 16 oil on paper on board

Wednesday, November 23, 2011

The Silver Hand




Here is a cover I recently finished painting for a novel titled "The Silver Hand: Book One of The Consortium" by Sharon Pansky. This one was a bit of a challenge for me, while I have painted many a still life in my day, doing a full fledged cover without a person in it was something new.

I was working directly with the author on this one, and she had asked to see photos of the painting progressing. I always swear I am going to do this one every painting, and this time I actually did. (These were shot at different times of the day and are uncorrected so the colors are kinda off from one to the other)


Thumbnail


Final drawing


Acrylic underpainting






From here I realized I had gone a little too warm with the metals. I usually do this to give them more "punch" but with a book titled "The Silver Hand" I went back in and toned them down digitally.


Final is 16" by 24" oil on paper on board. (ok, I guess acrylic/oil/digital)


In other news: I know everyone has just been dying to wear my artwork on a T-shirt. Well for a limited time you will have a chance, and help out the fantasy illustration community as well.

http://www.redbubble.com/people/artorder/works/8101324-michael-c-hayes?p=t-shirt


I am not sure how long they will be available for, Jon mentioned that it will be a rotating portfolio of shirts, so get em while you can. After Redbubble takes their cut, all proceeds will go to the ArtOrder community, an invaluable resource for aspiring illustrators.

Thursday, November 10, 2011

Evocation


I started working on this painting quite some time ago, and recently finished it up for this years Illuxcon. (Which was amazing, as always)

There isn't a whole lot to say about this one. Sometimes I want to create something with a deep narrative and some days I just want to paint something beautiful. I am so grateful for shows like Illuxcon and the collectors that attend that allow me to get paid for both.

16" by 24" oil on paper on board.